- #129 [hahayanyan], 26-09-12 18:03
- #128 [fotheringay], 26-09-12 16:59
When I first met Limage he told me that I was mad making those DIY tonearms and having too many Mono records!
Well, some records are better with Mono. - #127 [fotheringay], 26-09-12 16:56
One of the recordings with regards to ERC reissues.
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- #126 [BenYC], 26-09-12 12:09
- #125 [BenYC], 26-09-12 11:51
最後修改時間: 2026-09-12 11:51:52 - #124 [BenYC], 26-09-12 11:45
For Beethoven S9, I also like the 1953 furtwangler version and Abbado 1987 version for better recording quality.
- #123 [Dynavector], 26-09-12 07:42
24/96
1955 recording
Elisabeth Schwarzkopf (soprano), Ernst Haefliger (tenor), Marga Höffgen (contralto), Otto Edelmann (bass), Philharmonia Orchestra, Chor der Gesellschaft der Musikfreunde in Wien, Herbert von Karajan
The incisive Karajan of the 1950s, at the head of a sharp Philharmonia, delivered one of the first major complete recordings of Beethoven's symphonies in the LP era. It is also highly praised among the four cycles Karajan left to posterity.
最後修改時間: 2026-09-12 07:42:56 - #122 [hahayanyan], 26-09-11 22:02Me do not know until recently too
Not bad..at all
YouTube is great haha
最後修改時間: 2026-09-11 22:03:01 - #121 [BenYC], 26-09-11 21:48Did not know DGG produces this kind of music
- #120 [hahayanyan], 26-09-11 16:13
- #119 [hahayanyan], 26-09-10 17:29
- #118 [BenYC], 26-09-10 12:29
- #117 [BenYC], 26-09-10 12:26
最後修改時間: 2026-09-10 12:29:11 - #116 [hahayanyan], 26-09-09 15:31
Somehow , sometime, it would be nice to know, even we may not do anything to change it .. I have not try it in this room yet, again I like to feel the room and guess , and fun to know in the future , how is my guess ..haha haha
Some nice music - #115 [BenYC], 26-09-09 13:34
- #114 [BenYC], 26-09-09 12:54#113
I kind of tried the REW thing you mentioned before. In a very short time, I found my room is just impossible with terrible dips and peaks that normal EQ cannot solve. If I were to flatten everything, I would rather turn it off....
As for left and right, actually both sounds drastically different at my place if I play each speaker separately. This is probably due to my asymmetrical space and I tried to adjust center image balance thru hardware adjustment. Thus, each side actually sounds quite different, even tonally, as the room-sound add to the left and right speaker sound differently due to different positions. Thus, I would imagine REW each speaker to have similar curve will need very drastic adjustment for each side to a point of rather not doing.
However, I do think that having the ability to eq a bit is rewarding if not over doing it. Sometimes, I think whatever fault we hear from our room, probably studio has similar problem. In live concert, the flaws are even more prominent. Perhaps, the way we use the EQ is to just adjust the tone to whatever is pleasing our ears and with that in mind, probably I will just adjust left and right slightly and equally or I would be turning knobs whole day and gets too busy to enjoy the music.
最後修改時間: 2026-09-09 12:59:57 - #113 [hahayanyan], 26-09-09 01:13
This is one of the good video for this topic
We may not have a good room ,with a little of limitations we may never position the speaker at his best in any particular room too ,however there are still so much we can do too ..
We may able to position left and right speaker to get very close respond with the help of REW ..,etc ...
Sometime I do wonder, if I only use one speaker for positioning.
Let's say..I measure the speaker A at a position at the right..and get the in room response from REW
And then I use the same speaker A , positioning it at the left and get almost or very close response at the left ..
In theory I shall get the best possible matching for left and right positioning ...between a pair of speaker
Haha toy is fun - #112 [fotheringay], 26-09-08 23:32Without money ..no basic tool............that's impossible, at least from you.
With basic tools..fun starts..........logical pathway........one must start from somewhere. When I joined the school photography club I didn't even have a camera.
............what make me happy..............that's very important as no fun, no learning.
The moment..........a picture doesn't start and end "at that moment". It is a continuous process with reflection and repeat.
You need to have hands on the gears to feel right. Any cameras can make a picture. But not all cameras feel right in hand and in heart. - #111 [hahayanyan], 26-09-08 22:42Without money ..no basic tool
With basic tools..fun starts..
With money buy the better tool..fun may end
I hate grow up, but good thing about grow up..I understand what make me happy
Am looking at those trees daily.....wait for the moment with the lighting condition I hope for and without too much wind, then wish I could apply the setting I image.. from white balance colour Kevin...to high key..etc..setting..., and where is the focal point...
The moment...
I do like to try some sony.. I try some Fuji..great (photos just nice) but lack the solid hand feel I hope for..
最後修改時間: 2026-09-08 22:43:18 - #110 [fotheringay], 26-09-08 22:13HaHa is an engineer by trade so understanding the tools is both born natural and being nurtured by years of hand on experience. As such I have no doubt that he utilises the tools he has chosen. He could have the best Sony A1 or any top of the range cameras if he wants. But getting the most expensive gears and hoping the gears will do all the work for him and that's not the HaHa I understand.
With regards to artistic mind and approach I have seen some excellent works from HaHa, especially the way he plays with light for showing different state of greys to black.
That's not a novice photographer would be able to perform. He is combining his scientific, problem-solving and intrinsic character in applying his photography.
In facts, I do admire these qualities which I never have.
Learning the form of art, or life, is perpetual and I am eagerly awaiting waiting for the day I would hear HaHa declaring “I’ve done it”.
最後修改時間: 2026-09-08 22:22:13 - 下一頁 (2 of 8)
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