不過覺得細野都玩唔好,大野未仲死~!

＞＞＞ 未必, 好多時細喇叭仲難玩得好...

SPEAKER冇問題，只不過180呎已超越其工作範圍，你想佢點？

過房間處理就無論玩大細喇叭都要攪架啦！

間屋至係問題 !
太過吉無雜物做吸音 !
做咗吸音先!喇叭可以 keep !
any problem pm please !

Siuwing,
I think you could try Accoustic Revive resonse generator, cost a little more than 2K, much better sonic results could be obtained

siuwing 兄:

高音標,問題在於 proac 高音比較 sharp,而tara lab既線又偏向分析力加高頻比較多,CA640C 又唔屬於厚聲既機,到最後得UNISON UNICO把關(厚聲同味道)所以出現咁既情況.

要解決,首先要用d厚聲d既線(銅線),銀線千萬不要落(純銀例外),因為我未聽過你條spk cable係咩聲底,但換銅(單支銅)spk cable效果最明顯,減高頻加厚聲,可以一試.

SPEAKER冇問題，只不過180呎已超越其工作範圍，你想佢點？

過房間處理就無論玩大細喇叭都要攪架啦
************************

咁講就係R8唔岩個廳玩可能真係要換SPEAKER~!搞吸音唔係唔想煩不過我唔想影響個廳~!坐地解決到問題嗎?

siuwing 兄:

重有dd補充,如果高音標,就盡量唔好加金屬釘腳,或將機同喇叭放係玻璃同雲石之類既面之上.

或將機同喇叭放係玻璃同雲石之類既面之上
*************

我用緊FD2啦,單支銅有咩CHOICE??幾錢度?

其實我覺得高頻標,應該同喇叭能否夠填滿空間,無直接既關係.

因為就算喇叭真係唔夠比咁大空間,最多都係低頻唔夠同唔夠聲之類.

平價amp共通點:

不夠電流;或
校聲校多些高,感覺開揚些;但頂攪到但底無得搞


還有VECTOR 1,2是出名無低,改用 Audioquest PANTHER,此線高中低平均,2手又平,好個VECTOR!!

共逸之!

咁講即係高音標係屋企吸音問題啦係未?

咁講即係高音標係屋企吸音問題啦係未?

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唔好鑽牛角尖,屋企吸音同高音標既關係唔係咁大,高音標係同線同機配合問題大d.

反覆試....

落釘再落腳
落釘+碟再落腳
落腳+釘+碟+雲石
落腳+釘+碟+木版 (e.g TAOC)

搞吸音唔係唔想煩不過我唔想影響個廳^^^^^

Again....

家居放多d雜物如冇門嘅高身書柜 or CD架。(唔影響個廳掛)

厚地毡，木腳架等都有幫助(或放1~2吋厚實木於FD II面)。(d聲會warm d)

平價amp共通點:不夠電流.....agree

唔攪好自然吸音，大細喇叭都有煩惱。

這時候不應搞爛銅爛鐵!!

吸去高音不是一個方法，到時高中低音都可能不像樣
機配搭、電相位是較重要關鍵，線亦可輔助
電相位不合是會出現聲音薄、決、叫的....

咁講即係高音標係屋企吸音問題啦係未?

I experienced extra highs for a long time.

Methods used included (in order):
1) Change to a poweramp with high power (250W at 8ohms) - a beefier presentation so highs are less sharp
2) Change speaker stands - improved a bit for the correct height
3) Speaker positioning - improved a bit on the high problems but most on imaging
3) Clean all contacts area THOROUGHLY (cable terminals, cables, speaker terminals) - the result is dramatic since I didn't know some terminals and cable ends are very dirty
4) Further stuffing the listening area (140 sq ft app.) with bookcases at the CORRECT positions
5) Add rugs at the floor STRATEGICALLY (in between the speakers and extra rugs at the first reflection points on the floor) - made sounds less easily arrived at the ears too early
6) Add curtains at the back of the speakers (and behind the listener's positions since it's close to a panels of windows) - smoother presentation and quieter backgrounds.


The above was done in order. In retrospect, I would do 3,4,5, 6 first since they involve much less costs and the changes are beneficial to all small speakers (more dispersed in terms of high frequencies). I think all methods may bring some changes (or improvements) but the room acoustics would certaily bring surprising improvements. I refused to believe this in the past but now I probably design the room first if I got a new room and new hifi set. :)

To my experience, 1 and 6 are most useful.

攞走條 vector先啦

nwclmk hing, I agree. We have different rooms and gears. My list of options actually is not even exhaustive. I am sure some may found changing the gear support may improve the high a bit - it's quite system dependent. If the amp is too weak, changing amp is a prerequiste. At the same time, if the room is untreated or empty (which we see in many 'hifi pics'), the chance is chaning room acoustics should help a lot. It really depends on everyone's situation.