- #286 [dCS], 26-01-13 06:52
- #285 [dCS], 26-01-08 07:11
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Where are these cafés when you want them? This certainly beats the ones at London railway stations. Here the French timbres of the accordion and guitar accompany sumptuously delivered violin solos from Nicola Benedetti.
Well-loved favourites such as Sarasate's Carmen Fantasy swirl in sultry fashion, false harmonics delivered with playful ease, coloured by artful and idiomatic arrangements by a variety of hands that sizzle with passion and energy.
最後修改時間: 2026-01-08 07:12:08 - #284 [dCS], 26-01-04 02:40
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Semper Fidelis – John Philip Sousa
最後修改時間: 2026-01-04 02:41:38 -
- #283 [dCS], 25-12-31 11:36
- #282 [dCS], 25-12-29 05:58
- #281 [dCS], 25-12-27 03:48
- #280 [dCS], 25-12-22 01:07
- #279 [dCS], 25-12-12 00:48
Schubert was a competent violinist and violist and his four violin sonatas pose no problems for skilled players. It is strange, then, that so few really recommendable recordings of them have been made. Apart from these beautiful interpretations by Martzy and Antonietti, which have become legendary, one can find individual works by Fritz Kreisler and Sergei Rachmaninov, or Josef Suk and Jan Panenka, but few others that catch the essential simplicity of the pieces. The Rondo brillant and the Fantasy on Schubert's song Sei mir gegrüsst, on the other hand, are among the most difficult works in the violin-and piano repertoire, written for the shortlived Bohemian virtuoso Josef Slavík. Adolf Busch and Rudolf Serkin were famous for playing them but such big names as Jascha Heifetz and David Oistrakh have fallen flat on their faces, trying to unravel the secrets of the Fantasy. Martzy and Antonietti bring beautiful, meticulously prepared playing to all half dozen pieces. Their interpretations, which are well balanced and clearly recorded for the time, have an inherent strength but also pliancy, transparency and unsentimental sweetness where required.
24/192 file
最後修改時間: 2025-12-12 00:49:03 - #278 [dCS], 25-12-11 12:09
- #277 [dCS], 25-12-07 08:35
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Craft Recordings commemorates the 60th anniversary of Joan Baez's bestselling sixth studio album, Farewell, Angelina, with its first reissue in nearly four decades. A pivotal release in Baez's catalog, the album blends traditional folk standards with contemporary covers, marking a notable stylistic evolution—including the singer-songwriter's first use of electric guitar. Farewell, Angelina returns with all-analog mastering by Kevin Gray at Cohearent Audi.
Hailed by No Depression as “Perhaps the finest sounding folk record ever,” Farewell, Angelina was a significant hit for Baez, peaking at No.10 on the Billboard 200—the highest US chart position for any of her studio albums. Farewell, Angelina was also one of Baez's best-selling albums in the UK, landing at No.5, while “It's All Over Now, Baby Blue” and the title track were top 40 hits there.
最後修改時間: 2025-12-07 08:35:40 - #276 [dCS], 25-11-21 05:34
24/96 files
Tiffany Poon (Chinese: 潘活活; born 29 December 1996) is a Hong Kong-born American classical pianist and vlogger, residing in New York City.
Poon began taking piano lessons at the age of four. At nine, she moved to New York to study at the Juilliard School Pre-College Division for eight years with a full scholarship, under the guidance of Yoheved Kaplinsky. She studied at Calhoun School for high school, where she graduated in 2014. She continued her studies at the Columbia University / Juilliard School exchange program with Emanuel Ax and Joseph Kalichstein. In May 2018, she graduated from Columbia University as a John Jay Scholar with a Bachelor of Arts in philosophy.
最後修改時間: 2025-11-21 05:39:53 - #275 [dCS], 25-11-13 06:19
- #274 [dCS], 25-11-12 08:29
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Zee Zee releases a masterful double-header of works for piano by Franz Liszt, together with Paavo Järvi and the Philharmonia Orchestra. Performing Piano Concerto No.1 and Rhapsodie Espagnole, this collection speaks not just to the customary virtuosity and exuberance, but to the profound and heartfelt elements seldom brought to the fore in Liszt volumes. The colours, characters and atmospheres of the music of Liszt as pianist and visionary are on full display.
A close and inspirational partnership cultivated over a the past decade, Zee Zee and Paavo Järvi have established a formidable double-act in front of the Cincinnati Symphony, Estonian National Symphony, NHK Symphony, Tonhalle Zurich and Hong Kong Philharmonic Orchestra to date. This new collaboration is further heightened by the majesty and gravitas contributed by the Philharmonia Orchestra, taking every musical step in symbiosis with pianist Zee Zee.
最後修改時間: 2025-11-12 08:30:37 - #273 [dCS], 25-10-23 02:00
Raphaela Gromes 上個月嚟過香港，係 City Hall 演咗一場。
24/96 files
最後修改時間: 2025-10-23 02:01:20 - #272 [dCS], 25-10-14 03:53
- #271 [dCS], 25-10-12 06:45
- #270 [dCS], 25-10-10 06:18
- #269 [dCS], 25-10-09 03:53
- #268 [dCS], 25-10-01 04:01
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Isabelle Faust plays the "Sleeping Beauty / Stradivari 1704"。
The fairytale story of the 'Sleeping Beauty' Stradivari
https://tarisio.com/cozio-archive/cozio-carteggio/sleeping-beauty-stradivari/
最後修改時間: 2025-10-01 04:10:54 - #267 [dCS], 25-09-23 22:00
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What Music Is Playing Tonight?
24/96 files
港產鋼琴家 Aristo Sham / 沈靖韜
2026.03.20 - 03.21 香港文化中心音樂廳 （3月21日為加場），應該仍有少量門票。
最後修改時間: 2026-01-13 06:52:31