- #41 [BenYC], 19-11-08 14:37
- #42 [ABC1234], 19-11-08 15:29音响的主要沒落是因有了電視
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電視影響其次,最大影響應該是互聯網及數碼化媒體興起加上居住空間越來越小大多都改用手提系統聽耳機即使在家他只用電腦或有源音箱算。
最後修改時間: 2019-11-08 15:40:10 - #43 [BenYC], 19-11-08 16:22#42
也是。被其他娛樂續步取代。電視,家庭影院,電腦。時代不停變化,有些地方也只能漸息微。
我的仔女從不理我的音响。我在他們的房間都放了一套可以的音响。他們寧聽耳機或用小小的藍芽喇叭也費事開音响。時代在變。只能接收。 -
- #44 [254mm], 19-11-08 16:32唔係个个有間私人hifi 房, hifi 多數擺廳,老虎話要追电視劇,敢違命嗎? 套 hifi 只是装飾品
- #45 [mark1], 19-11-08 17:1080年代都仍然係LP為主,phono amp一般得零點幾V輸出,所以Line amp個增益要夠大,,一般由1XdB至2XdB不等。。。CD冒起之後,錄音電平越來越大,所以之後既前級個增益會做番細D,,有啲就設計成可調增益,並沒有所謂扭曲線路。。。
最後修改時間: 2019-11-08 17:17:17 - #46 [niceday009], 19-11-12 18:37>>日本7/80年代音響已達最高境界
点解樓主有咁想法
事實上日本係八十年代嘅中價HiFi制品功能及外觀都好充足,而且有好多華而不實嘅視覺功能例如螢光電平表,功能開關制多得很,日本人做 HiFi最重視呢D令到內部零件排位不能夠用最短路程完成放大過程,佢地D amp排位大部份將聲音放第二,較聲都係歐美世界到而家都係,有得罪唔好鬧, 我都係由用日本產品走過來,但試得多就知,你見 Stereo Sound 班老編屋企都係用歐美品就知
但日本HiFi去到旗艦產品就讓設計師自由發揮,有好多創意,聲音好唔好另計
但日本人有幾樣 HiFi制品係世界第一:
MC頭,氣浮唱盤,JFET元件(Charles Hensen曾提及東芝JFET比美國產更線性),VFET, 或加埋 TAD喇叭單元
最後修改時間: 2019-11-12 18:49:59 - #47 [清河], 19-11-12 21:23我如果有一套sansui ca3000前級 Ba5000後級已經好滿足,歐美機監聽級都唔錯,膽機等都好聲,二者各有千秋取向唔同,各位可按自己喜歡選擇。
- #48 [addyg], 19-11-12 22:05好彩我都搵到部80年代flagship
- #49 [Akaigxc], 19-11-15 11:45好得過我哩部???米玩啦,推我對4312,低音重到劈死人呀!加上用單皇冠1541AS1 DAC, 效果超凡
- #50 [新奇仕], 19-11-15 12:19一矢中的
現今HIFI只係不斷撚聲
咩叫好聲?任up
同4點鐘9up會一Q樣! - #51 [清河], 19-11-15 18:32玩緊NIKKO 有部 alpha 2000 power amp,感覺好聲好大力!
- #52 [清河], 19-11-15 18:34NIKKO比較冷門,前級一般般,但後級素質真係幾好!玩緊另外一對ALPHA III BLACK。
- #53 [Neontetra], 19-11-15 18:37
同樣道理,7/80年代電視已達最高境界,當時電視一開,全家人都圍坐睇電視,打開大門睇,連隔離啲細路都來睇。
宜家啲電視只係[撚]較畫面,[撚]function, [撚]聲音,重有乜撚? - #54 [niceday009], 19-11-15 22:48呢個盤係我其中一件7,80年代產品仍然未賣,keep得好新淨,過去十多年只放入盒,間中攞出嚟睇下又唔想賣
最後修改時間: 2019-11-15 22:56:22 - #55 [Neontetra], 19-11-15 23:49
恭喜網友已達發燒友收藏家最高境界。 - #56 [bjbj], 19-11-16 00:08此部馬蘭士是經典,太神啦,會出讓否?
- #57 [kermit], 19-11-16 11:55曾經睇過一篇STEREO SOUND 專訪 DIATONE (三菱) 喇叭廠總工程司, 佢做咗成世,到佢退休後,第一樣野做嘅係買對JBL大雪櫃, 佢係崇洋?
- #58 [中古發燒], 19-11-16 12:07呵呵,外國的月光特別圓,全世界都一樣!外國很多網站都很推崇日本機的。
- #59 [niceday009], 19-11-16 12:35#57
咁你要睇下因乜原因,我之前研究過 - #60 [BenYC], 19-11-16 13:29Let me BS a bit here.
70/80s japanese designers usually grew up around 50s/60s. At that time, japanese have not yet had a generally established musical culture re western music which is the standard now. Thus, for them to develop a speakers to compete with the west, the real problem is they that they didn't have a clear standard of what is good sound. Other electrical components can be measured objectively more or less but speaker design is mostly an art which depends 90% on the designer's ears.
Current japanese sound is much better. Yet, current production is marketing and cost driven. Commercializing always bring in more compromises.
The same is true today for PRC equipment. They can management to make good amps. Yet, their speakers are still behind and can be odd sounding once they gets complicated. (This also explains why PRC fullrange speakers are good as it requires less listening skill.)
Enough BS.
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