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New book about Carlos Kleiber

看了14/2那場,曼德爾頌小提琴協奏曲頗失望,氣勢欠奉, 最後連encore都冇,又匆匆散場!

RCOA and Van Beinum is my favourite pair!!

Reprint from the issue of July 1992 [Hi-Fi Review] when Royal Concertgebouw Orchestra Amsterdam visited HK under the baton of Riccardo Chailly.



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小弟想買beethoven violin sonata no.7 cd,但市面幾乎冇選擇,小弟知道Decca翻出 Arthur Grumiaux & Clara Haskill一錄音,但佢係195x錄音,有冇ching知道該錄音靚聲嗎? 質素如何?

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Bernstein Israel Philharmonic
Mahler: Ninth Symphony, live in August 1985

From the label "Helicon Classics" of the Israel Philharmonic Orchestra, Bernstein finally appeared. The contents of the Chodokyu have led the Israel Philharmonic Orchestra, played the Mahler's Ninth Symphony.

[Mahler by Leonard Bernstein;
Speaking of Leonard Bernstein, Mahler's expert was know as a history that clearly show that, and without saying. When you record a session Symphonies in the 1960s era America quickly, in the 1970s included live footage of Symphonies, while efforts to complete works in a live recording even in the 1980s in his later years, to close to completion leaving a recording of No. 8 has left the world.

If you are fan of Bernstein , his account of conducting Mahler is also exceptional, as if the moment is also a complete overlap of their appearance as a conductor and composer, was awakened to that through the performance of Bernstein Mahler achievement does not know about the number, greatly contributed to the receptor is a place with no room for objection.

[Recording of Mahler No. 9 by Bernstein;
For Mahler's Ninth Symphony by Bernstein, the following four performance has been known as a regular commercial recording.

New York Philharmonic in December 1965 (recording session)
Vienna Philharmonic March 1971 video work ※ (live recording)
Berlin Philharmonic in October 1979 (recorded live)
Pipes and the Royal Concertgebouw May and June 1985 (recorded live)

As the years go down recording (see track time below), and emotional expression by turning a thick singing exudes a unique world, Mahler's "Bernstein is also there for the entire playing time trend is observed to expand also became hot as attractive factors to gather support of "play.

[No. 9 Mahler performances with the Israel Philharmonic in Japan;
However, apart from these recordings and, if it has become the oft-told tale of a lifetime as a large play objects are not to be compared, No. 9 of Bernstein Mahler was conducting at the Japan tour in September 1985. Performances of all nine, who led the Israel Philharmonic as conductor laureate for life, I played the No. 9 performances of Mahler 4, and 3 days the first day of the Osaka Festival Hall, and in particular · NHK Hall in Tokyo on March 8 and was content Seizetsu is like a place to match the public attention in addition to that, Mr. Mitsutoshi Xu music critic was to witness the performance in Tokyo on March 8, said as follows recalls.

"In fact, you think is about after it, playing more does not does not listen. Also expected in this song. Too intense too, but at least it is, and impossible as long as itself Bernstein does not revive . "

The last live performances [Japan]
Sound source to appear this time, just before the Japan tour that was to fuss and historical, which contains the pattern is the same program was performed in a concert of Mann Auditorium in Tel Aviv headquarters on 25 August 1985 .
Upon this face for Bernstein performances, as described above, also have finished the recording of Mahler's Ninth Symphony live of tube and the Royal Concertgebouw in Amsterdam from June 3 through May 29 of the same year It appears to have worked positively, and RCO board also features since it is almost the same playing time, even here including full throttle singing tremendous empathy scale and style of his later years a remarkable will no doubt look at what is being done and playing almost the same trend.

Is surprised that frankly, to almost the same time, Bernstein had taken up the No. 9 of Mahler and the Israel Philharmonic Orchestra, prohibits a sense of gratitude that had been left in the form of a sound source like this do not get.
But at present it is not even the prospect of standing still over the contents of the CD performances in Japan, the value of the release of this time and the fans is immeasurable. (King International)

[Recording information;
Mahler: Symphony No. 9 in D major

Israel Philharmonic Orchestra
Leonard Bernstein (conductor)

August 25, 1985: Recording time
Recording location: Tel Aviv, Mann Auditorium
Recording method: stereo (Live)

Track time;
1985 IPO 29:27 + 16:43 + 12:07 + 30:15 = 88:32
1985 RCO 29:52 + 17:26 + 11:47 + 29:34 = 88:39
1979 BPO 27:31 + 15:49 + 11:59 + 26:03 = 81:22
1971 VPO 27:24 + 16:06 + 11:28 + 25:48 = 80:46
1965 NYP 28:26 + 15:52 + 12:30 + 23:03 = 79:51

Seiji Ozawa conducts BSO playing Respighi Triology , SACD-SHM reissued by Universal Music Japan

Herbert von Karajan conducts Bruckner Sym. No.7

Rafael Kubelik conducts MOZART symphonies

Antonio VIVALDI (1678-1741)
Cello Concerto in B flat major RV423 [10:50]
Cello Concerto in G minor RV416 [10:41]
Cello Concerto in A minor RV420 [12:15]
Cello Sonata in G minor RV42 [12:31]
Leonardo LEO (1694-1744)
Cello Concerto in D major [14:40]
Giovanni Benedetto PLATTI (1697-1763)
Cello Concerto in D minor WD657 [10:46]
Sol Gabetta (cello)
Cappella Gabetta/Andres Gabetta
rec. January 2011, Salle de Musique, La Chaux-de-Fonds
SONY CLASSICAL 88697932302 [71:13]

Read more: http://www.musicweb-international.com/classrev/2012/Feb12/vivaldi_SONY88697932302.htm#ixzz1mVm977IE

Nikolai KAPUSTIN (1937-)
Trio, Op 86 [19:12]
Philippe GAUBERT (1879-1941)
Pièce romantique [7:41]
Robert SCHUMANN (1810-1856)
Adagio and Allegro in A flat, Op 70 [9:02]
François BORNE (1840-1920)
Fantaisie Brillante sur Carmen [11:13]
Louise FARRENC (1804-1875)
Trio Op 45 [24:59]
Astor PIAZZOLLA (1921-1992)
La Muerte del Ángel [3:32]
Emanuel Ensemble (Anna Stokes (flute); Louisa Tuck (cello); John Reid (piano))
rec. 17-18 August 2010, and 22 May 2011 (Borne), Music Room, Champs Hill, West Sussex, UK
CHAMPS HILL RECORDS CHRCD023 [75:37]

Read more: http://www.musicweb-international.com/classrev/2012/Feb12/Emanuel_CHRCD023.htm#ixzz1mVlmgNmr